A Sensory Experience - Final Piece
When it came to deciding what to do for my final project I
decided to base it on what I had learnt from the beginning stages of the diploma, such as
learning to draw using senses other than the eyes. This got me thinking about how
costumes are mainly made to be visually aesthetic. It is very rare to find a
costume that alerts all the senses, therefore I decided to set myself the
challenge of doing this.
 |
| Final skirt with cinamon stick cage and bustle pad stuffed with ground cinamon |
After 10 weeks of research, sampling, designing and experimentation I came up with a final piece. I made a skirt that had hidden smells, sounds and textures through layers of fabric, a bustle pad and a cage made out of cinamon sticks inspired by the Eiffell Tower structure.
It may be a part of the child in me
but whenever I go to an exhibition it has always excited me when there is
interactive art. It just has that added interesting element to it that I am
sure adults find alluring too! I initially had the idea of allowing the
audience to touch, smell and dance in the skirt at the exhibition. But after
speaking to my tutor I realised that in order to allow the audience to be aware
of their other senses I could take the sound and scented elements of the skirt
and display them without the costume. This way they can imagine what the
costume would look like by using their other senses.
I designed an exhibition piece that included small bags of different spices that I used on the skirt. I had a recording through headphones of the skirt being danced in along with a photographs of the skirt being danced in. All the elements together would create a sensory experience.
Overall, I think that this project has been
extremely challenging and difficult, which
is what I wanted as I have learnt so much. Throughout this Foundation Diploma I have
gradually been building in confidence.
After seeing the Tim Burton exhibition on my
research week in Paris I was completely inspired by him. I adored his character
illustrations and was captivated by his creative way of thinking.
“’Fuck
it, I don’t care if I can draw or not. I like doing it.’ And I swear to God,
from one second to the next I had freedom which I hadn’t had before. From that
point on, I didn’t care if I couldn’t make the human form look like the human
form. I didn’t care if people liked it. There was this almost like drug-induced
sense of freedom.”
“I’ve
never been able to predict or think what an audience would like to see. I’ve
always felt: how can anybody else want to see it if I don’t want to? And if I
want to see it, and nobody else wants to, then at least I get to see it. So,
there’s one person who’ll enjoy it.”
·
Tim
Burton: “Burton on Burton” Edited by Mark Sailsbury (10)
I really like Burton’s positive way of
thinking. This also encouraged me to be more confident in my ideas.
I was really happy with my final exhibition. My project as a whole was graded as a distinction which I am so so pleased with! I will be going to London College of Fashion to study a degree in Costume for Performance in September.
 |
| Final Exhibition Show |